Thirty-Six Vocalises for Soprano: No. 11

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A solo violin takes the final statement of the main melody while the soloist accompanies, soaring above it in an obligato of a nearly two-octave range. The composer had been tending his terminally ill friend, Kondratyev at the German spa of Aachen. In August he took a much needed break traveling to Paris where he met up with his former theory student, the Russian cellist, Anatoly Brandukov.

He began sketches August 24 and by September 11 the final scoring was completed. Brandukov, with Tchaikovsky conducting the Colonne orchestra, gave the first performance at the grand Parisian home of wealthy Russian expatriates Nikolay and Marie Barnardaky the latter a singer trained at the St.

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The work was premiered in Moscow, November 25, The solo cello leads the way in a short passionate introduction. A scherzo-like section interrupts the melancholic musings, another version of the cantabile main theme returns, and finally, the scherzo reappears as the coda. Tchaikovsky Symphony No. The works are Symphony No. Two women took prominent places in the story: Tchaikovsky and von Meck never met. At her request he provided a program of the symphony. In reality it is a post compositional attempt to explain in words the agonized state of his emotional world that he expressed in sound.

This theme appears throughout the first movement, and reappears near the end of the last movement.

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